This article is taken from the Wikipedia page on Khwaja Khurshid Anwar.

Most of the material being put up is taken from tribute on Prof Surjit Singh ji's website. It has inputs from the composer's trust, his brother Khwaja Sultan Ahmad, son Irfan Anwar and many others. We thank all for the same.

It maybe noted that most of the material used in this section is Copyright Khwaja Khurshid Anwar Trust and Irfan Anwar who provided this material.
Please send your comments and suggestions to This e-mail address is being protected from spambots. You need JavaScript enabled to view it .

Khwaja Khurshid Anwar (21 March 1912 - 30 October 1984) was a filmmaker, writer, director and music composer who gained extreme popularity both in India and Pakistan. He is widely credited as being one of the most original and inventive music directors of his generation.

Khwaja Khurshid Anwar (Urdu: خواجہ خورشید انور) was born on 21 March 1912 in Mianwali (now in Pakistan) where his maternal grandfather Khan Bahadur Dr.Sheikh Atta Mohammad held the post of civil surgeon. His father Khawaja Ferozuddin Ahmad was a well-known Barrister in Lahore. The ace jurist had a love for music so much so that he had a huge collection of gramophone records of Indian classical and neo-classical music and his precocious son had an unhindered access to them all. Moreover, in the weekly soirees of music which were held in the lawyer's house, renowned masters used to perform, and it was here that the young Khurshid Anwar developed a taste for classical music. Viewing Khrshid Anwar's keen interest Khansahib Tawakkal Hussain took him under his tutleage in 1934.

Khurshid Anwar was also a brilliant student at Government College, Lahore, the renowned seat of learning. Having topped in the Masters in Philosophy(1935), he appeared in the examination for Indian Civil Service (ICS ) but due to his political and anti-Raj activities, the colonial masters would not let him share power. Interestingly, he had also absented himself from the Prize-dsitribution ceremony of the Punjab University held to honour the students with distinctions. When his name was called to receive the Gold Medal in Philosophy, nobody turned up. The British Chancellor of the University who was awarding medals remarked that the student having forgotten to receive the medal is a true philosopher.

He therefore joined All-India Radio in 1939 as Programme Producer/Music. It was from here that he acceded to the requests of A. R. Kardar, the renowned film producer,to join Bombay filmdom as Music director. He made his debut as a music director in Kardar's Punjabi venture "Kudmai" (1941]. His first Hindi film was "Ishara"(1943]. The film gained much popularity from its songs which included "Panghat pe muraliya baje" by Suraiya, "Shabnam kyon neer bahaye" by Gauhar Sultan, and "Dil deke dagha nahin dena" by Vatsala Kumathekar. Some of his other Hindi films were Parakh (1944, with Saraswati Devi), Yateem (1945, with K. Dutta), Aaj Aur Kal (1947), Pagdandi(1947), and Parwana (1947) which was the last movie in which K. L. Saigal acted and sang. For "Singaar" (1949) he got the Clare Award for Best Music Director. His later films "Nishaana "(1950) and "Neelam Pari" (1952) added new feathers to his cap. He remained an inspiration to many later day music directors in both India and Pakistan. For many years, Roshan was a disciple of his, as was Shankar of Shankar Jaikishan. He was regularly praised by his contemporary , who considered him to be one of the finest composers in the subcontinent.

Khurshid Anwar migrated to Pakistan in 1952. It was in fact his arrival in a newly-independent land where the nation was in search of its expressions in arts especially in music. And it was here in 1956 that Khurshid Anwar gave Pakistani film music its identity through his magnum opus "Intezar". The film also gave a new lease of life to Noor Jehan, his lead singer for the years to come. After, Intezar", Khurshid Anwar continued with his stylistic creations in films such as, Mirza Sahiban (1956), Zehre Ishq (1958), Jhoomer (1959), Koel (1959), Ayyaz (1961) , Ghunghat (1962), Haveli (1964) Chingari (1964), Sarhad (1966) , Hamraz (1967), Guddo (1970),Heer Ranjha (1970), Salam E Mohabat (1971), Parai Aag (1971), Shireen Farhad (1975), Haider Ali (1979) and Mirza Jat (1982).

Khurshid Anwar died on 30 October 1984 in Lahore after a protracted illness. In recognition of his contribution in enrichment film music, the Bombay film industry awarded him the coveted Mortal-Men-Immortal-melodies Award (1982).

He has also been praised for his efforts to keep alive Classical music not only through his compositions but also through his unique collection of classical Music performances recorded by EMI Pakistan, known as Aahang-e-Khusrav in two parts(1978). Raag Mala has ten volumes includes 90 Raags in ten Thaths. Each Raag has a short introduction in the voice of Khurshid Anwar explaining the characteristics of the Raag followed by its audio performance by renowned Calssical singers of Pakistan. The second part of Aahang-e-Khusravi is Gharaon Ki Gaiyki in 20 volumes which consists of audio recording of representatives of the main Gharanas of Classical singers in Pakistan. In recognition of his services for the cause of music, he was awarded the coveted 'Sitara-e-Imtiaz' by the Government of Pakistan in 1980.